I'm a real nerd now

I did something interesting recently. I watched a raw anime episode; that is, one with Japanese dialogue and without subtitles, recorded straight from TV or digital storage media (DVD or BluRay). I've never done this before since I've never bothered following a series as it was airing, and thus have never been in the situation of waiting for fansubbers to do their job (for free), but in this case nobody's stepping up to the plate to do that and I couldn't wait. The episode in question is the first of two new TV specials for Hidamari Sketch, a series I ended up falling in love with several months ago. It's kind of bizarre that I did, since it's not strong on drawing or animation at all, and those who've heard me talk on the subject know that I really value these things. I think I like it mostly because the pacing clicks with me somehow, and in general it's just a really sincerely nice show to watch, since it's just about enjoying time spent with friends, but puts it across in a much more sincere way than similar series.
It sits firmly in the "high-school moe slice-of-life" genre, complete with the usual four-girl-ensemble slotted into the standard character archetypes.

Our lot is the third row down, from left to right: Miyako, Sae, Yuno, Hiro (look up the words you don't know)

And, in common with all shows of this sort, it mostly consists of our main characters going to school (one that specialises in the arts, in this case), living every day life, and being fairly cute about it. Unlike Azumanga Daioh it's very much "slice-of-life" rather than "comedy", though, and unlike K-On! or Lucky Star it's not super obnoxious about the cuteness. Something that really sets it apart is that the main characters not only go to school, but also live together, in a small apartment block across the road from their school, the Hidamari Apartments. This may sound inconsequential, but it actually changes the dynamic alot. Most episodes take place on a single day, and at least half of most of them is spent on the time after school, with the girls simply relaxing and chatting together at home. It also means that episodes not on a school day don't have to be the standard beach episode (actually, there isn't one at all so far, though there is a pool episode), sometimes it'll just be about all of them spending the day at home (though maybe with a specific activity), other times they'll make an excursion of some sort (for example, in one episode Yuno and Miyako go to do location drawing at a shrine on top of a hill). On the whole, it just means we relate to the characters in a different way to how we normally do with these series: it changes the "space" in which it takes place. It's really pure slice-of-life.
Another series where the "space" was specifically important is Pani Poni Dash!, so maybe I'll talk about that some time, too (it was also by the same studio and director, which is interesting).

Despite the often barely-there animation, Hidamari Sketch also has lots of really nice visual turns. The director (Akiyuki Shinbo) and studio (Shaft) seem to love playing weird games with colour, graphics, icons, text, editing, cinematography... actually almost everything BUT the actual animation (though this may partly be due to the fact that they somehow have no money and even less time for most of their projects). I'm still in the process of catching up with their other shows, but Sayonara Zetsubou Sensei and Bakemonogatari look particularly interesting.

This latest episode of Hidamari actually seemed to have even less animation budget than usual, as the drawings were considerably ropier than most of the second season (which itself was a vast improvement over the first). It was still nice, though. Enough of words, here's some pictures!
Isn't this autumnal green delicious? Green is a colour I feel is often handled poorly for some reason, even in shows with otherwise good colour design (e.g. Manabi Straight). This image is actually taken almost straight from the equivalent panel in the manga the anime adapts, but it's carefully selected in that regard, and fits right in with the feel of the rest of the show. Also, note the halftone-pattern. This was also inspired by the manga, but is used alot in the anime as a sort of visual trademark, and often to very nice effect.
It's kind of an anime/manga cliché to illustrate embarassment or fear with vertical blue lines coming down over a character's eyes. Here it's taken to such an extreme that it becomes a sort of parody, a gag in itself.
Orthographic camera (that is, no perspective). This is used a fair bit. Sometimes it's a bit weird to look at and chances are alot of people just won't like it, but I like it just as another visual trademark.
Some moments will be accented with these tightly drawn, super stylishly inked close-ups. I love these. Lovely colours, too. Also, make a note of the fourth one for "identifying a character by a close-up of their hair". There's a few other instances of this throughout the series (usually involving Yuno's magical floating X-shaped hairclips).
A few semi-random images just to show some of the different types of colour schemes employed. Usually the colours are pretty muted, but it'll also switch to very bold or warm palettes, monochrome, pastel shades (see some of the close-ups above) or what have you. This episode mostly uses a sort of autumnal pallette, but tending more towards dulled browns and yellows than oranges or reds, since it doesn't actually take place in autumn (February 10th).
A couple of interesting shot choices for you. The first reminds me of this amazing sequence in another episode where one shot from behind a bookcase is used repeatedly over the course of a scene, but each time the books are arranged differently to obscure different characters, reflecting the progression of the conversation. Nobody's got up to re-arrange them or anything, they're just moved by the laws of cinematography, or something. It's so bold! It drives me absolutely crazy because it's the sort of thing I can never think of!

Of course, this is all just from one episode. Alot of the things I've shown here are employed repeatedly, but there's a bunch more of those "visual trademarks" that I either haven't picked out or that weren't used here, and there's also plenty of unique, one time things that I could talk about from almost any episode. And I haven't even mentioned the anachronic ordering yet!

Are there any modern western cartoons that are this inventive and playful? If somebody combined this sort of stuff with cartoony designs, better drawing and real animation I'd just about have a fit.

As well as these two specials, a third season's going to be airing early next year (February, I think). The first two seasons adapted manga material covering Yuno and Miyako's first year at high school and the Hidamari Apartments (as well as adding some new content, which, far from being filler, actually really added to the show as a whole). From the next year two new girls move in, Nazuna and Nori, bringing the main cast to six.
Reading their character descriptions on Wikipedia I was initially worried that Nazuna would be just a more exaggerated version of Yuno, and Nori a less exaggerated version of Miyako. I checked out a couple of more recent scanlated manga chapters featuring them, and while they didn't necessarily assuage those specific worries it was some of the best material I've seen so far, so I've no fears. I'd love to see some tighter drawing (god knows they should have the money for it by now, considering Bakemonogatari actually managed to beat K-On's DVD and BluRay sales somehow), but to be honest if Shinbo just keeps doing what he's been doing I'll be happy enough.

Expect more on this series in future.

Oh god oh god oh god how did this get here I am not good with computer

I watched Cloudy With A Chance of Meatballs yesterday. In 3D. I had written that film off completely upon seeing the trailer, but after Mr Kricfalusi said it was the best CGI film he's seen (giving it a 0 out of 10, as opposed to the negative thousands he'd give everything other than Toy Story 1) I had to give it a chance. It was actually pretty fun, despite the unpalatable character designs. Unashamed silliness saved it.

I haven't been posting lately because I've been working. FINALLY I HAVE MY OWN MONEY AGAIN. What was the first thing I purchased after getting a paycheque? A ton of manga. I'm so ashamed.

I'm trying to think of something relevant to say but I can't. So here's an irrelevant image.
If I had this t-shirt I would never take it off ever.

My graduation film and blog just got a very pleasing (for me, because he said nice things) write up on Iam Lumsden's cleverly named Animation Blog. It seems Ian takes it upon himself to expose any and all animation work that interests and intrigues him, alot of it by lesser known small-fry such as myself, which I think is a wonderful thing to do. Go read what he has to say about me, and look through the rest of his postings too, he's covered alot of stuff across a huge variety of styles and you might find something new to enjoy.

Maybe a proper post this evening or tomorrow, I've got some thoughts swimming about.
[EDIT] Okay make that Thursday or Friday evening. There's something I want to "test" first.

New studies mass posting

Yo, I just made two posts on the studies blog. Go see. Also, a bonus old drawing, from a newspaper, I think.
I got a call from a "Lindsey" from Barclays Fraud Prevention while doing this. As I remember they just thought my big purchase on ebuyer for computer parts wasn't real. That would only be the first of my problems related to ebuyer.

Now I wish I were as good as Art Lozzi.

I mentioned both 5 cm Per Second and My Neighbours the Yamadas in my last post, in the context of "I might talk about one or the other next time". Then I thought, "Well, they're practically polar opposites visually so why not talk about both?"

In brief: Yamadas is about visual spareness.5 cm is the opposite: it's about visual indulgence.
Personally I find Yamadas so visually pleasing it's one of the few examples of japanese animation which I prefer watching dubbed in English: it's just too appealing for me to want to spend lots of time reading subtitles (and I can read subtitles pretty quickly!)

While watching 5cm, though, I kind of felt overwhelmed. It gets jokingly called 5 Wallpapers Per Second, since you can do a frame-grab at pretty much any time and use the resulting image as a desktop wallpaper. But it kind of felt too...self-consciously pretty to me.

Everything is painted in lavish, slavish detail. The pacing is fairly slow, which I suppose makes sense, as you'd want to spend time looking at stuff like this. On the other hand, though, this much details feels kind of...oppressive, even aggressive, to me, so I can't really relax while watching it.

Matsuko Yamada knows how to enjoy the view. That's kind of how Yamadas makes me feel: like I can just take time out, sit back, and enjoy the natural peacefulness of life as it passes by.
Why not eat a banana while I'm at it?
Maybe I'm being a bit harsh on 5cm. Despite the mass of detail, the colours are almost always nice (as you'd expect from the Japanese), and, at least most of the time, the images still read reasonably well.
You do get the odd shot like this, though.
Gah!

It's also not helped by the fact that the character animation really isn't up to the standard of the backgrounds.
Can't really show it in stills, of course, but, well, they're pretty wobbly. I don't mind the ultra-plain designs all that much, but the animators can't keep their faces (or hands, or limbs, or any other part) straight, which distracts a fair bit. That said, there's lots of very still shots so it's not always a problem.
Conversely, I find the animation in Yamadas as enjoyable as every other aspect of the film.
Even the most detailed and concentrated bits, such as the spectacular "journey of life" sequence at the beginning, are handled with a real control and lightness of touch so that they don't feel out of place with the rest of the film.Bonus random inbetween! This was a lucky frame-grab, I didn't even notice until I looked at the file.

5cm does have some really nice atmosphere...
...but so does Yamadas.
5cm was also painted entirely digitally, which makes it feel pretty artificial. There's no real texture (you can occasionally see those dodgy sorts of digital-painting-marks in the clouds, too). While the characters in Yamadas were drawn and coloured digitally, I'm pretty sure the backgrounds were actually painted with watercolours. Bonus points for that.

Here's a little bit I really like. Takashi pulls his head back in through the car window...
...then winds it back up.You don't see any of the window or the door or the handle, but you know exactly what's going on. And the look of the film is so well thought-out and believable you completely buy it! Cleverness like this drives me bonkers!

I'm kind of just mouthing off here. My Neighbours the Yamadas is my second favourite Ghibli-movie-nobody's-ever-bloody-heard-of (Only Yesterday is my favourite, and you're all big losers for not knowing Isao Takahata's name). While getting frame-grabs for this I got 66 images, and spent a good while just watching random bits of it. I could only be bothered with 17 from 5 cm Per Second. I don't really dislike it or anything, I guess I just expected more (or maybe less) since it'd been hyped a fair bit before I got round to watching it (then again it's partly my own fault as I was very slow doing that and I let the hype build up). I did like some aspects of the story, though it didn't involve me emotionally like I expected (lots of people claim it's the greatest tearjerker ever), and it kind of fell apart at the end. I could watch Yamadas again and again, though, and talk about it forever.

Maybe I'll watch Only Yesterday again. Now THERE'S a film that makes me cry! Hey, maybe I'll talk about it some time! Then again I don't know if I'd be able to do anything other than reiterate the words of my former-tutor-now-employer Damian, who introduced me to it.
Also I'd need to find a better program to watch/take framegrabs from DVDs, since VLC is horeshit.
Go eat a pineapple!

I wish I were as good as Ed Benedict.. Or Carlo Vinci

Been quiet on here lately. Here's an update.

Work has been very thin for me as of late. Without things to do my mind rots so I've taken up some unpaid freelance work on the side. I don't know if the guy I'm doing it for would want me posting the work up on here but I've been doing lots of studies of old Hanna-Barbera cartoons for reference, since I'm using that sort of style (justifiably! I don't want people thinking I'm a rip-off merchant), so those'll go up on the Studies Blog in due time. Actually I'm well overdue to post up the Preston Blair studies I did while I had no scanner, aren't I? Those'll be included too.

My new computer's hard-drive died after just under a month of use (thanks, Samsung). It took me over a week and-a-half to get a replacement (which I ordered for next day delivery...actually I technically still haven't got it, as I just ended up ordering it from somewhere else and getting it next day). I spent most of that time climbing the walls and chewing my toes. At least I think I did, my memory of that time is rather hazy.

I'm going to the Kingston University animation/illustration degree show in Shoreditch in a minute. Hopefully some of my friends will actually be there, as I've been a bit of a recluse lately.

The desktop background slideshow feature of Windows 7 is the shit.

Might do a movie review on here tomorrow as I recently watched Makoto Shinkai's 2007 film 5 Centimetres Per Second. Then again it wasn't actually as interesting as I expected so maybe I won't. I did rewatch My Neighbours the Yamadas, though, and I like that alot more so maybe I'll talk about that instead.

Since I hate to make a post without any pretty pictures, here's a postcard my friend Yoshimi sent us from the Rumiko Takahashi exhibition in Japan.I love the colours in this. Also Urusei Yatsura is awesome. So is Ranma 1/2. I ought to pick them up again (when I have money), it's been years since I read either of them properly.

Because I can't really put it off any longer

International Anifest

Now, let's get the slightly ugly bit out of the way first: I really didn't enjoy this one. Teplice is a lovely town and would probably be a decent place to retire to but don't ever go there if you want to have a party. Unless you're bringing lots of loud friends and intend to start one yourself. I didn't have lots of loud friends, though, and given my complete inability to speak Czech I didn't really have many people to talk to. There were english speakers there, of course, and there were a couple of people I saw repeatedly over the course of my stay who I could have conversations with, but they tended to have other commitments or groups of non-English-speaking friends, and I couldn't really introduce myself to anybody as I'm pretty certain I was the only British film-maker there.

So, socially, a bit duff, but oh well, that's not everything. I got into all the screenings free (one up on onedotzero, hoho), and in fact I didn't even have to pay for my hotel, so I shan't begrudge the organisers. Maybe the Trebon part of the festival was better. Onto some film reviews.

Planet A (trailer link partway down) by Momoko Seto was an extremely strange but very beautiful piece, which seemed to consist largely of footage of salt crystals forming. I think that's what it was anyway. Slow, but I was captivated for all of its 7 minutes and 40 seconds. The feeling of a barren, alien world was really convincing.

Sur le Fil (Razor Edge) by Benjamin Dupouy (they spelt the poor guy's name three different ways in the festival materials). My favourite. Unfortunately I can't find it online, but it's real graphic genius, the screenshot above is really only a vague hint of some of the clever games this film plays with lines and fills. You'll just have to take my word for it, of course!

Le Couvre Chef (Headgear) by Marie Delmas. Very, very witty, and I love the timing of the animation. It's very varied and tailored to each individual scene, but each method used is distinctive and attractive in its own right. The colour design is pretty nice, too.

Volgens de Vogel (According to Birds) by Linde Faas. Another extremely slow, exquisitely atmospheric piece. There are some really meticulous bits of animation in this. Also, major kudos to Linde for doing the whole thing in pencil and somehow completely avoiding the nasty white fringe it tends to cause (as a result of cutting things out with the magic wand tool in Photoshop).

Traverser (Crossing Water) by Hugo Frassetto, an unbelievably slick sand animation. Damn Frenchmen. I don't know where they get it from.

Nice Day For A Picnic by Monica Gallab (no vide link, sorry). Very strange. Won the Prize for Best Student Film.

I also caught a couple of features.

Tokyo Marble Chocolate (Naoyoshi Shiotani). A rather sappy love story, and while I'm not one to go out of my way to watch romance stuff, it was pretty nice. Amusingly, most of the audience left after the first part not knowing it consisted of two parts, har har.
Also it was fun to watch with both Czech and English subtitles.

I also decided to watch Nausicaä of the Valley of the Wind...in French, with English and Czech subtitles. It's far from my favourite Ghibli movie (though still leagues ahead of Howl's Moving Castle, which I hated) but I still enjoyed it.

And that's that, really.

I'm not very good at this "blogging" thing, am I?

So what have I been doing for the past month?

I had a bit of work with my good mates at Treat Studios but other than that I've found that the age of "getting work for no effort" has passed and I must actually go looking, thus I have been putting my showreel together. I've now got 10 delicious DVDs which I will be passing out to London studios on Monday, hopefully (if I can get my act together and do covering letters for all of them today). My efforts were hampered a little by my long-suffering laptop finally dying, but I've at least got a spare computer so I'm not completely sunk.

I also haven't done any construction studies for the past few weeks as, if I'm honest, after the ones I posted last I actually started getting worse, and got so depressed I gave up. I finally started doing more again today, but sadly can't post any for now as I can't get this computer to work with my scanner (but it'll print fine, oddly).

In other news: I saw The Boat That Rocked (it was okay); watched the first disc of the Looney Tunes Golden Collection (there seem to be an awful lot of okay-but-not-amazing Friz Freling cartoons on that one); watched Lolita (Stanley Kubrick version, was awesome, very funny in a dark way); read all of Death Note (incredibly awesome, can't decide if I should bother with the anime, though); and have been watching Hidamari Sketch (maybe not the sort of thing I should admit to, but there's so many lovely games played with colour, graphic design, and editing that I might actually make a post about it, if I can summon up the courage to speak publicly about a moe high-school slice-of-life anime series).

Don't know if I'll have anything to report until after my trip to the Czech Republic on the 7th. Czech is a really goddamn difficult language, by the way.

Also check this out.